System, Method and Apparatus for Co-locating Visual Images and Associated Sound (International Application PCT/CA2018/050433, Publication Number WO/2018/195652)

Apparatus, Method and System for Co-locating Visual Images and Associated Sound (U.S. Provisional Patent No. 62/482725, 2017)


Pixelphonics: Colocating Sound and Image in Media Displays. In: Arai K., Bhatia R., Kapoor S. (eds) Proceedings of the Future Technologies Conference (FTC) 2018. FTC 2018. Advances in Intelligent Systems and Computing  vol 881. Springer, Cham. 2019.

Experimental phenomenology in the development of a colocative audio-visual display.  The Soundtrack, 10:1, pp. 17–40, doi: 10.1386/ts.10.1.17_1.

An Audiovisual Colocation Display System, PhD thesis, 2018.

Enhancing Real-Time Situational Awareness through Colocated Audio and Visuals, White Paper.

Media Poetics and Cognition in Colocative Audiovisual Displays. In New Directions in Third Wave Human-Computer Interaction Vol 1: Technologies. Springer HCI Series. 2018.

The Methodological Pivot. In New Directions in Third Wave Human-Computer Interaction Vol 2: Methodologies. Springer HCI Series. 2018.

Introduction:  New Directions in Third Wave HCI. New Directions in Third Wave Human-Computer Interaction, vol. 1 & 2. Springer HCI Series. 2018.

The Concept of Material Practice: a transdiscursive inquiry., 2019.

A Method of Moments: the Aesthetics of Redundancy in Ikarie XB-1
Book chapter in Czech Cinema Revisited: Politics, Aesthetics, Genres and Techniques. Lucie ńĆesalkova, Ed. National Film Archive, Prague, Czech Republic, 2016.

Sysemics and Semiotic Informatics
Comparative Literature 67:1 (Duke University Press), journal of the American Comparative Literature Association (ACLA Forum)

Creative making, large lectures, and social media: breaking with tradition in art and design education
Arts and Humanities in Higher Education (Sage), vol. 14, 2015

Design Scenes of Online Code Learning Environments
Book chapter in Teaching Computational Creativity, Cambridge University Press, 2017.

A New Name, a New Mission. Journal of Professional, Continuing and Online Education 1, no. 1.

Evolution of a Tradition. Canadian Journal of University Continuing Education 44, no. 1.

A Mixed Framework for New Media Art Reception
SoundEffects — An Interdisciplinary Journal of Sound and Sound Experience

Empiricism within the Limits of Postmodernism Alone: On the Emergence of the Logically Real within the Multi-Perspectival Field
Semiotica issue 206, 2015

The Mobile Augmented Soundscape
Hz Journal, #20, Summer 2015

Digital and Analog: some refinements and new semiotic directions Archive

A Noise Reduction Pass on the Concept of Media: for a new typology of mediation Archive

The Plane of Mediation: the actual and virtual as cultural system
NMEDIAC: the Journal of New Media and Culture, Vol. 9:1, 2014

Peircing Fritz and Snow: an aesthetic field for sonified data
Organised Sound, 19:1, Cambridge University Press, 2014

Discursivity and Creativity: Implementing Pigrum’s Multi-Mode Transitional Practices in Upper Division Creative Production Courses
Proceedings of the 58th ICET World Assembly, University of Ontario Institute of Technology, 2014

Signal: An Expanded Semiotics of Periodicity Part One
Parsons Journal for Information Mapping vol. 5 issue 2, 2013

Signal: An Expanded Semiotics of Periodicity Part Two
Parsons Journal for Information Mapping Vol. 5 Issue 4, 2013

Aesthetic Challenges of Sonified Video Gestures
Empirical Musicology Review, vol 8 issue 2, 2013

The Audio Affect Image: Five Hermeneutic Modalities of Sound Design
The Soundtrack Vol. 5 Issue 1, 2012

Towards a Phenomenology of the Acoustic Image
Organised Sound, 15:1, Cambridge University Press

The Noise of the World
Janus Head: Interdisciplinary Studies in Literature, Continental Philosophy, Phenomenological Psychology, and Art Vol. 10 #1, 2007

Leonardo Music Journal #18 (MIT Press) 2008>

Video Sonification/ Signal Sign Image Noise
Interactive essay, in Parsons Journal for Information Mapping Vol. II Issue 2, 2010

Stepping on the Light
Parsons Journal for Information Mapping, Vol. 1 Issue 3, 2009

Play and Fortune
ISEA 2008 Artist Presentation

Cursor Caressor Eraser
Artist Statement in Leonardo Vol. 43 No. 4 2010

Meridiend, Cursor Caressor Eraser, Stepping on the Light
Three Artist Statements, Proceedings of ARTECH 2010: the 5th International Conference on Digital Arts, “Envsioning Digital Spaces,” pp. 225-228

Metal and Wind- Bertoia and the Space of Reverie
Hz-Journal #14, 2009


Fostering Student Excellence through Extending the Community of Inquiry in Social Media

Real-time Synchronous Video Environment for Multi-Campus Teaching: a User Study

Increasing Opportunities for the Development of Case-Based Knowledge in High-Enrolment Production Courses

Discursivity and Creativity in Upper Division Production Courses