Research

Curriculum Vitae

SIAT Colloquium Presentation (2021)

PATENTS

System, Method and Apparatus for Co-locating Visual Images and Associated Sound (International Application PCT/CA2018/050433, Publication Number WO/2018/195652)

Apparatus, Method and System for Co-locating Visual Images and Associated Sound (U.S. Provisional Patent No. 62/482725, 2017)

PHD THESIS

Filimowicz, M. (2018). An Audiovisual Colocation Display System. Faculty of Arts and Social Science, SFU.


JOURNAL ARTICLES

Filimowicz, M. (2018). Experimental phenomenology in the development of a colocative audio-visual display. The Soundtrack, 10:1, 17–40, doi: 10.1386/ts.10.1.17_1
Filimowicz, M. (2015). A Mixed Framework for New Media Art Reception. Sound Effects - An Interdisciplinary Journal of Sound and Sound Experience, 41-65.
Filimowicz, M. (2015). Sysemics and Semiotic Informatics. Comparative Literature 67 :1 (Duke University Press), journal of the American Comparative Literature Association (ACLA), 37-44.
Filimowicz, M. and Tzankova, V. (2015). Creative making, large lectures, and social media: breaking with tradition in art and design education. Arts and Humanities in Higher Education 14, 1-17. Sage press.
Filimowicz, M. (2015).Empiricism Within the Limits of Postmodernism Alone: On the Emergence of the Logically Real Within the Multi-Perspectival Field. Semiotica 206, 607-629.
Filimowicz, M. (2014). The Plane of Mediation. NMEDIAC: the Journal of New Media and Culture Vol. 9, n.p.
Filimowicz, M. (2014). Peircing Fritz and Snow: an aesthetic field for sonified data. Organised Sound, 19 :1, Cambridge University Press, 90-99.
Filimowicz, M. (2013). Aesthetic Challenges of Sonified Video Gestures. Empirical Musicology Review 8: 2, 84-87.
Filimowicz, M. (2013). Signal: An Expanded Semiotics of Periodicity, Part 2. Parsons Journal for Information Mapping, 5 :4, n.p.
Filimowicz, M. (2013). Signal: An Expanded Semiotics of Periodicity, Part 1. Parsons Journal for Information Mapping, 5 :2, n.p.
Filimowicz, M. (2012). The Audio Affect Image: Five Hermeneutic Modalities of Sound Design. The Soundtrack 5 :1, 29-36.
Filimowicz, M. and Stockholm, J. (2010). Towards a Phenomenology of the Acoustic Image. Organised Sound 15 :1, Cambridge University Press, 5-12.
Filimowicz, Michael. (2010). Video Sonification: Signal Sign Image Noise,” online interactive essay, Parsons Journal for Information Mapping 2 :2, n.p.
Filimowicz, M. (2009). Stepping on the Light, online interactive essay, Parsons Journal for Information Mapping, 1 :3, n.p.
Filimowicz, M. (2008). Intimachines. Leonardo Music Journal 18, MIT Press,40.
Filimowicz, M. (2007). The Noise of the World. Janus Head: Interdisciplinary Studies in Literature, Continental Philosophy, Phenomenological Psychology & Art, 10 :1,25-40.


CONFERENCE PROCEEDINGS

Filimowicz, M. (2019). Pixelphonics: Colocating Sound and Image in Media Displays. In: Arai K., Bhatia R., Kapoor S. (eds) Proceedings of the Future Technologies Conference (FTC) 2018. FTC 2018. Advances in Intelligent Systems and Computing, vol 881. Springer, Cham, 491-505.
Filimowicz, M. and Tzankova, V. (2014). Discursivity and Creativity: Implementing Pigrum’s Multi-Mode Transitional Practices in Upper Division Creative Production Courses. Proceedings of ICET 2015 58th World Assembly. University of Ontario Institute of Technology, 142-150.
Filimowicz, M. and Tzankova, V. (2014). Discursivity and Creativity. Proceedings of INTE 2014 (Paris, France): New Horizons in Education. Elsevier Procedia Social and Behavioral Sciences, 483-490.
Filimowicz, M. (2010). Cursor Caressor Eraser. Leonardo, 43 :4, 393-394. SIGGRAPH 2010 Art Gallery.
Filimowicz, M. (2010). Three Artist Statements: Meridiend. Proceedings of ARTECH 2010: the 5th International Conference of Digital Art, 225.
Filimowicz, M. (2010).Cursor Caressor Eraser. Proceedings of ARTECH 2010: the 5th International Conference of Digital Art, 226.
Filimowicz, M. (2010).Stepping on the Light. Proceedings of ARTECH 2010: the 5th International Conference of Digital Art, 228.


OTHER ARTICLES

Filimowicz, M. (Oct. 17th, 2019). “The Big Bang.” Opinion piece in “How to avoid being sucked into the black hole of administration.” Times Higher Education Supplement. Commissioned article.
Filimowicz, M. (2019). The Concept of Material Practice: a transdiscursive inquiry. Neme.org, 2019.
Snow, K. and Filimowicz, M. (2016). A New Name, a New Mission. Journal of Professional, Continuing and Online Education 1, no. 1. DOI: https://doi.org/10.21225/D50898
Snow, K. and Filimowicz, M. (2016). Evolution of a Tradition. Canadian Journal of University Continuing Education 44, no. 1. DOI: https://doi.org/10.21225/D50898
Filimowicz, M. (2015). The Mobile Augmented Soundscape. Hz Journal #20.
Filimowicz, M. (2014). A Noise Reduction Pass on the Concept of Media: for a new typology of mediation,” NEME.org, new media theory article database.
Filimowicz, M. (2014). Digital and Analog: some refinements and new semiotic directions. NEME.org, new media theory article database.
Filimowicz, M. (2014). Light Intervals. Aesthetics of the City. China Architectural and Building Press.
Filimowicz, M. (2015). Workshop Lectures. Emerging Trends in Contemporary Cinema: Voices from Hindi, Tamil & Canada Films. Sage: New Delhi.
Filimowicz, M. (2011-2014). Editorials, The Soundtrack journal.
Filimowicz, M. (2010). Metal and Wind: Bertoia and the Space of Reverie. Hz Journal.
Filimowicz, M. (2000). Sound for Film. Companion Guide to Rooftop Films #2.


CONFERENCE PRESENTATIONS

“Pixelphonics | Colocating Sound and Image in Media Displays.” Future Technologies Conference (FTC). November 13-14, 2018. Vancouver, British Columbia, Canada.
“The Mobile Augmented Soundscape: a consideration of computer vision and sonification in new prototypes,” Acoustic Communication and Soundscape Design, Green College, UBC, Sept. 2014.
“Implementing Pigrum’s multi-mode transitional practices in upper division creative production courses,” PICA 2014. Society of Graphic Designers of Canada. Edmonton, Alberta.
“Pigrum’s multi-mode transitional practices.” International Council on Education for Teaching. 58th ICET World Assembly. University of Ontario Institute of Technology. 2014.
“Discursivity and Creativity.” International Conference on New Horizons in Education, Paris 2014.
“Signal: An Expanded Semiotics of Periodicity,” Cinesonika 3, University of Ulster Magee Campus, Derry, Northern Ireland, UK 2013.
“The Audio Affect Image.” Cinesonika 2, Simon Fraser University Surrey, 2012.
“Sensuality in New Media,” SIGGRAPH 2010 Art Gallery.
“Three Net Artworks.” ARTECH 2010. Guimarães, Portugal.
“Play and Fortune,” ISEA 2008, Singapore.


SYMPOSIA & SEMINARS

“Three Nifty Tips Around Canvas Quizzes.” Demo Fest, Nov 15th, 2019. Technology and Innovation section. Simon Fraser University.
15th Annual Symposium on Teaching and Learning. “Telepresence, Media Transparency and Teaching: a multi-campus user study,” with Wynnie Chung. 2016.
UPCEA 100th Anniversary Conference, (University Professional & Continuing Education Association), Washington D.C., Mar 30th-Apr 2nd, 2015.
Deans and Directors Meeting, CAUCE (Canadian Association for University Continuing Education), Feb 2015. Toronto, ON.
Western Deans and Directors Meeting, CAUCE (Canadian Association for University Continuing Education), Sept 2014. Mount Royal University, Calgary.
Imaging Cinema, Indian Institute of Technology-Madras, 4-day workshop, 2010.
Summer Literary Seminar–KENYA, international writers’ seminar in Kenya. 2009.
Electroacoustic Juke Joint 2009, Delta State University, 3-Day International Conference & Festival.
Centre for Studies in Print and Media Cultures colloquium on "Media in Time and Space" in May 2008 at Simon Fraser University.


Michael Filimowicz Copyright 2021 All Rights Reserved