Research
Curriculum Vitae
My Loupe Art Streaming Channel
In-Depth Presentation Video, 2021:
PATENTS
System, Method and Apparatus for Co-locating Visual Images and Associated Sound (International Application PCT/CA2018/050433, Publication Number WO/2018/195652)
Apparatus, Method and System for Co-locating Visual Images and Associated Sound (U.S. Provisional Patent No. 62/482725, 2017)
BOOK CHAPTERS
• Tzankova, V. and Filimowicz, M. (2022). Introduction: A Comprehensive Approach to Interactive Sports Technologies. In tzankova, v. and Filimowicz, M. (Eds.) (2022) Interactive Sports Technologies: Performance, Participation, Safety. Routledge Research in Sports Technology and Engineering.
• Tzankova, V. and Filimowicz, M. (2022). In Lieu of an Afterword: “Embodiment and Skill Acquisition in Sports Technologies” Course Syllabus. In tzankova, v. and Filimowicz, M. (Eds.) (2022) Interactive Sports Technologies: Performance, Participation, Safety. Routledge Research in Sports Technology and Engineering.
• Filimowicz, M. and Tzankova, V. (2020). Series Introduction and 4 Volume Introductions: Reimagining Communication. In: Filimowicz and Tzankova (Eds.), Reimagining Communication (4 volumes: Meaning, Experience, Action, Mediation). Routledge Communication Series.
• Filimowicz, M. (2018). Media Poetics and Cognition in Colocative Audiovisual Displays. In Filimowicz, M. and Tzankova, V. (Eds.) New Directions in Third Wave Human-Computer Interaction Vol 1: Technologies. Springer HCI Series.
• Filimowicz, M. (2018). The Methodological Pivot. In Filimowicz, M. and Tzankova, V. (Eds.) New Directions in Third Wave Human-Computer Interaction Vol 2: Methodologies. Springer HCI Series.
• Filimowicz, M. and Tzankova, V. (2018). Introduction: New Directions in Third Wave HCI. New Directions in Third Wave Human-Computer Interaction, vol. 1 & 2. Springer HCI Series.
• Filimowicz, M. (2017). A Method of Moments: the Aesthetics of Redundancy in Ikarie XB-1. In Lucie Česálková (Ed.) Czech Cinema Revisited: Politics, Aesthetics, Genres and Technique: National Film Archive.
• Filimowicz, M. (2017). Design Scenes of Online Code Learning Environments. Teaching Computational Creativity. Cambridge University Press.
• Tzankova, V. and Filimowicz, M. (2017). Introduction: pedagogies at the intersection of disciplines. Teaching Computational Creativity. Cambridge University Press.
JOURNAL ARTICLES
• Filimowicz, M. (2018). Experimental phenomenology in the development of a colocative audio-visual display. The Soundtrack, 10:1, 17–40, doi: 10.1386/ts.10.1.17_1
• Filimowicz, M. (2015). A Mixed Framework for New Media Art Reception. Sound Effects - An Interdisciplinary Journal of Sound and Sound Experience, 41-65.
• Filimowicz, M. (2015). Sysemics and Semiotic Informatics. Comparative Literature 67 :1 (Duke University Press), journal of the American Comparative Literature Association (ACLA), 37-44.
• Filimowicz, M. and Tzankova, V. (2015). Creative making, large lectures, and social media: breaking with tradition in art and design education. Arts and Humanities in Higher Education 14, 1-17. Sage press.
• Filimowicz, M. (2015).Empiricism Within the Limits of Postmodernism Alone: On the Emergence of the Logically Real Within the Multi-Perspectival Field. Semiotica 206, 607-629.
• Filimowicz, M. (2014). The Plane of Mediation. NMEDIAC: the Journal of New Media and Culture Vol. 9, n.p.
• Filimowicz, M. (2014). Peircing Fritz and Snow: an aesthetic field for sonified data. Organised Sound, 19 :1, Cambridge University Press, 90-99.
• Filimowicz, M. (2013). Aesthetic Challenges of Sonified Video Gestures. Empirical Musicology Review 8: 2, 84-87.
• Filimowicz, M. (2013). Signal: An Expanded Semiotics of Periodicity, Part 2. Parsons Journal for Information Mapping, 5 :4, n.p.
• Filimowicz, M. (2013). Signal: An Expanded Semiotics of Periodicity, Part 1. Parsons Journal for Information Mapping, 5 :2, n.p.
• Filimowicz, M. (2012). The Audio Affect Image: Five Hermeneutic Modalities of Sound Design. The Soundtrack 5 :1, 29-36.
• Filimowicz, M. and Stockholm, J. (2010). Towards a Phenomenology of the Acoustic Image. Organised Sound 15 :1, Cambridge University Press, 5-12.
• Filimowicz, Michael. (2010). Video Sonification: Signal Sign Image Noise,” online interactive essay, Parsons Journal for Information Mapping 2 :2, n.p.
• Filimowicz, M. (2009). Stepping on the Light, online interactive essay, Parsons Journal for Information Mapping, 1 :3, n.p.
• Filimowicz, M. (2008). Intimachines. Leonardo Music Journal 18, MIT Press,40.
• Filimowicz, M. (2007). The Noise of the World. Janus Head: Interdisciplinary Studies in Literature, Continental Philosophy, Phenomenological Psychology & Art, 10 :1,25-40.
CONFERENCE PROCEEDINGS
• Filimowicz, M. (2019). Pixelphonics: Colocating Sound and Image in Media Displays. In: Arai K., Bhatia R., Kapoor S. (eds) Proceedings of the Future Technologies Conference (FTC) 2018. FTC 2018. Advances in Intelligent Systems and Computing, vol 881. Springer, Cham, 491-505.
• Filimowicz, M. and Tzankova, V. (2014). Discursivity and Creativity: Implementing Pigrum’s Multi-Mode Transitional Practices in Upper Division Creative Production Courses. Proceedings of ICET 2015 58th World Assembly. University of Ontario Institute of Technology, 142-150.
• Filimowicz, M. and Tzankova, V. (2014). Discursivity and Creativity. Proceedings of INTE 2014 (Paris, France): New Horizons in Education. Elsevier Procedia Social and Behavioral Sciences, 483-490.
• Filimowicz, M. (2010). Cursor Caressor Eraser. Leonardo, 43 :4, 393-394. SIGGRAPH 2010 Art Gallery.
• Filimowicz, M. (2010). Three Artist Statements: Meridiend. Proceedings of ARTECH 2010: the 5th International Conference of Digital Art, 225.
• Filimowicz, M. (2010).Cursor Caressor Eraser. Proceedings of ARTECH 2010: the 5th International Conference of Digital Art, 226.
• Filimowicz, M. (2010).Stepping on the Light. Proceedings of ARTECH 2010: the 5th International Conference of Digital Art, 228.
OTHER ARTICLES
• Filimowicz, M. (Oct. 17th, 2019). “The Big Bang.” Opinion piece in “How to avoid being sucked into the black hole of administration.” Times Higher Education Supplement. Commissioned article.
• Filimowicz, M. (2019). The Concept of Material Practice: a transdiscursive inquiry. Neme.org, 2019.
• Snow, K. and Filimowicz, M. (2016). A New Name, a New Mission. Journal of Professional, Continuing and Online Education 1, no. 1. DOI: https://doi.org/10.21225/D50898
• Snow, K. and Filimowicz, M. (2016). Evolution of a Tradition. Canadian Journal of University Continuing Education 44, no. 1. DOI: https://doi.org/10.21225/D50898
• Filimowicz, M. (2015). The Mobile Augmented Soundscape. Hz Journal #20.
• Filimowicz, M. (2014). A Noise Reduction Pass on the Concept of Media: for a new typology of mediation,” NEME.org, new media theory article database.
• Filimowicz, M. (2014). Digital and Analog: some refinements and new semiotic directions. NEME.org, new media theory article database.
• Filimowicz, M. (2014). Light Intervals. Aesthetics of the City. China Architectural and Building Press.
• Filimowicz, M. (2015). Workshop Lectures. Emerging Trends in Contemporary Cinema: Voices from Hindi, Tamil & Canada Films. Sage: New Delhi.
• Filimowicz, M. (2011-2014). Editorials, The Soundtrack journal.
• Filimowicz, M. (2010). Metal and Wind: Bertoia and the Space of Reverie. Hz Journal.
• Filimowicz, M. (2000). Sound for Film. Companion Guide to Rooftop Films #2.
CONFERENCE PRESENTATIONS
• “Pixelphonics | Colocating Sound and Image in Media Displays.” Future Technologies Conference (FTC). November 13-14, 2018. Vancouver, British Columbia, Canada.
• “The Mobile Augmented Soundscape: a consideration of computer vision and sonification in new prototypes,” Acoustic Communication and Soundscape Design, Green College, UBC, Sept. 2014.
• “Implementing Pigrum’s multi-mode transitional practices in upper division creative production courses,” PICA 2014. Society of Graphic Designers of Canada. Edmonton, Alberta.
• “Pigrum’s multi-mode transitional practices.” International Council on Education for Teaching. 58th ICET World Assembly. University of Ontario Institute of Technology. 2014.
• “Discursivity and Creativity.” International Conference on New Horizons in Education, Paris 2014.
• Signal: An Expanded Semiotics of Periodicity,” Cinesonika 3, University of Ulster Magee Campus, Derry, Northern Ireland, UK 2013.
• “The Audio Affect Image.” Cinesonika 2, Simon Fraser University Surrey, 2012.
• “Sensuality in New Media,” SIGGRAPH 2010 Art Gallery.
• “Three Net Artworks.” ARTECH 2010. Guimarães, Portugal.
• “Play and Fortune,” ISEA 2008, Singapore.
SYMPOSIA, COLLOQUIA & SEMINARS
• Audiovisual Colocation. SIAT Research Colloquium, March 2021. Simon Fraser University.
• 'Three Nifty Tips Around Canvas Quizzes.' Demo Fest, Nov 15th, 2019. Technology and Innovation section. Simon Fraser University.
• 15th Annual Symposium on Teaching and Learning. “Telepresence, Media Transparency and Teaching: a multi-campus user study,” with Wynnie Chung. 2016.
• UPCEA 100th Anniversary Conference, (University Professional & Continuing Education Association), Washington D.C., Mar 30th-Apr 2nd, 2015.
• Deans and Directors Meeting, CAUCE (Canadian Association for University Continuing Education), Feb 2015. Toronto, ON.
• Western Deans and Directors Meeting, CAUCE (Canadian Association for University Continuing Education), Sept 2014. Mount Royal University, Calgary.
• Imaging Cinema, Indian Institute of Technology-Madras, 4-day workshop, 2010.
• Summer Literary Seminar–KENYA, international writers’ seminar in Kenya. 2009.
• Electroacoustic Juke Joint 2009, Delta State University, 3-Day International Conference & Festival.
• Centre for Studies in Print and Media Cultures colloquium on "Media in Time and Space" in May 2008 at Simon Fraser University.
Michael Filimowicz Copyright 2021 All Rights Reserved
• Tzankova, V. and Filimowicz, M. (2022). In Lieu of an Afterword: “Embodiment and Skill Acquisition in Sports Technologies” Course Syllabus. In tzankova, v. and Filimowicz, M. (Eds.) (2022) Interactive Sports Technologies: Performance, Participation, Safety. Routledge Research in Sports Technology and Engineering.
• Filimowicz, M. and Tzankova, V. (2020). Series Introduction and 4 Volume Introductions: Reimagining Communication. In: Filimowicz and Tzankova (Eds.), Reimagining Communication (4 volumes: Meaning, Experience, Action, Mediation). Routledge Communication Series.
• Filimowicz, M. (2018). Media Poetics and Cognition in Colocative Audiovisual Displays. In Filimowicz, M. and Tzankova, V. (Eds.) New Directions in Third Wave Human-Computer Interaction Vol 1: Technologies. Springer HCI Series.
• Filimowicz, M. (2018). The Methodological Pivot. In Filimowicz, M. and Tzankova, V. (Eds.) New Directions in Third Wave Human-Computer Interaction Vol 2: Methodologies. Springer HCI Series.
• Filimowicz, M. and Tzankova, V. (2018). Introduction: New Directions in Third Wave HCI. New Directions in Third Wave Human-Computer Interaction, vol. 1 & 2. Springer HCI Series.
• Filimowicz, M. (2017). A Method of Moments: the Aesthetics of Redundancy in Ikarie XB-1. In Lucie Česálková (Ed.) Czech Cinema Revisited: Politics, Aesthetics, Genres and Technique: National Film Archive.
• Filimowicz, M. (2017). Design Scenes of Online Code Learning Environments. Teaching Computational Creativity. Cambridge University Press.
• Tzankova, V. and Filimowicz, M. (2017). Introduction: pedagogies at the intersection of disciplines. Teaching Computational Creativity. Cambridge University Press.
• Filimowicz, M. (2015). A Mixed Framework for New Media Art Reception. Sound Effects - An Interdisciplinary Journal of Sound and Sound Experience, 41-65.
• Filimowicz, M. (2015). Sysemics and Semiotic Informatics. Comparative Literature 67 :1 (Duke University Press), journal of the American Comparative Literature Association (ACLA), 37-44.
• Filimowicz, M. and Tzankova, V. (2015). Creative making, large lectures, and social media: breaking with tradition in art and design education. Arts and Humanities in Higher Education 14, 1-17. Sage press.
• Filimowicz, M. (2015).Empiricism Within the Limits of Postmodernism Alone: On the Emergence of the Logically Real Within the Multi-Perspectival Field. Semiotica 206, 607-629.
• Filimowicz, M. (2014). The Plane of Mediation. NMEDIAC: the Journal of New Media and Culture Vol. 9, n.p.
• Filimowicz, M. (2014). Peircing Fritz and Snow: an aesthetic field for sonified data. Organised Sound, 19 :1, Cambridge University Press, 90-99.
• Filimowicz, M. (2013). Aesthetic Challenges of Sonified Video Gestures. Empirical Musicology Review 8: 2, 84-87.
• Filimowicz, M. (2013). Signal: An Expanded Semiotics of Periodicity, Part 2. Parsons Journal for Information Mapping, 5 :4, n.p.
• Filimowicz, M. (2013). Signal: An Expanded Semiotics of Periodicity, Part 1. Parsons Journal for Information Mapping, 5 :2, n.p.
• Filimowicz, M. (2012). The Audio Affect Image: Five Hermeneutic Modalities of Sound Design. The Soundtrack 5 :1, 29-36.
• Filimowicz, M. and Stockholm, J. (2010). Towards a Phenomenology of the Acoustic Image. Organised Sound 15 :1, Cambridge University Press, 5-12.
• Filimowicz, Michael. (2010). Video Sonification: Signal Sign Image Noise,” online interactive essay, Parsons Journal for Information Mapping 2 :2, n.p.
• Filimowicz, M. (2009). Stepping on the Light, online interactive essay, Parsons Journal for Information Mapping, 1 :3, n.p.
• Filimowicz, M. (2008). Intimachines. Leonardo Music Journal 18, MIT Press,40.
• Filimowicz, M. (2007). The Noise of the World. Janus Head: Interdisciplinary Studies in Literature, Continental Philosophy, Phenomenological Psychology & Art, 10 :1,25-40.
• Filimowicz, M. and Tzankova, V. (2014). Discursivity and Creativity: Implementing Pigrum’s Multi-Mode Transitional Practices in Upper Division Creative Production Courses. Proceedings of ICET 2015 58th World Assembly. University of Ontario Institute of Technology, 142-150.
• Filimowicz, M. and Tzankova, V. (2014). Discursivity and Creativity. Proceedings of INTE 2014 (Paris, France): New Horizons in Education. Elsevier Procedia Social and Behavioral Sciences, 483-490.
• Filimowicz, M. (2010). Cursor Caressor Eraser. Leonardo, 43 :4, 393-394. SIGGRAPH 2010 Art Gallery.
• Filimowicz, M. (2010). Three Artist Statements: Meridiend. Proceedings of ARTECH 2010: the 5th International Conference of Digital Art, 225.
• Filimowicz, M. (2010).Cursor Caressor Eraser. Proceedings of ARTECH 2010: the 5th International Conference of Digital Art, 226.
• Filimowicz, M. (2010).Stepping on the Light. Proceedings of ARTECH 2010: the 5th International Conference of Digital Art, 228.
• Filimowicz, M. (2019). The Concept of Material Practice: a transdiscursive inquiry. Neme.org, 2019.
• Snow, K. and Filimowicz, M. (2016). A New Name, a New Mission. Journal of Professional, Continuing and Online Education 1, no. 1. DOI: https://doi.org/10.21225/D50898
• Snow, K. and Filimowicz, M. (2016). Evolution of a Tradition. Canadian Journal of University Continuing Education 44, no. 1. DOI: https://doi.org/10.21225/D50898
• Filimowicz, M. (2015). The Mobile Augmented Soundscape. Hz Journal #20.
• Filimowicz, M. (2014). A Noise Reduction Pass on the Concept of Media: for a new typology of mediation,” NEME.org, new media theory article database.
• Filimowicz, M. (2014). Digital and Analog: some refinements and new semiotic directions. NEME.org, new media theory article database.
• Filimowicz, M. (2014). Light Intervals. Aesthetics of the City. China Architectural and Building Press.
• Filimowicz, M. (2015). Workshop Lectures. Emerging Trends in Contemporary Cinema: Voices from Hindi, Tamil & Canada Films. Sage: New Delhi.
• Filimowicz, M. (2011-2014). Editorials, The Soundtrack journal.
• Filimowicz, M. (2010). Metal and Wind: Bertoia and the Space of Reverie. Hz Journal.
• Filimowicz, M. (2000). Sound for Film. Companion Guide to Rooftop Films #2.
• “The Mobile Augmented Soundscape: a consideration of computer vision and sonification in new prototypes,” Acoustic Communication and Soundscape Design, Green College, UBC, Sept. 2014.
• “Implementing Pigrum’s multi-mode transitional practices in upper division creative production courses,” PICA 2014. Society of Graphic Designers of Canada. Edmonton, Alberta.
• “Pigrum’s multi-mode transitional practices.” International Council on Education for Teaching. 58th ICET World Assembly. University of Ontario Institute of Technology. 2014.
• “Discursivity and Creativity.” International Conference on New Horizons in Education, Paris 2014.
• Signal: An Expanded Semiotics of Periodicity,” Cinesonika 3, University of Ulster Magee Campus, Derry, Northern Ireland, UK 2013.
• “The Audio Affect Image.” Cinesonika 2, Simon Fraser University Surrey, 2012.
• “Sensuality in New Media,” SIGGRAPH 2010 Art Gallery.
• “Three Net Artworks.” ARTECH 2010. Guimarães, Portugal.
• “Play and Fortune,” ISEA 2008, Singapore.
• 'Three Nifty Tips Around Canvas Quizzes.' Demo Fest, Nov 15th, 2019. Technology and Innovation section. Simon Fraser University.
• 15th Annual Symposium on Teaching and Learning. “Telepresence, Media Transparency and Teaching: a multi-campus user study,” with Wynnie Chung. 2016.
• UPCEA 100th Anniversary Conference, (University Professional & Continuing Education Association), Washington D.C., Mar 30th-Apr 2nd, 2015.
• Deans and Directors Meeting, CAUCE (Canadian Association for University Continuing Education), Feb 2015. Toronto, ON.
• Western Deans and Directors Meeting, CAUCE (Canadian Association for University Continuing Education), Sept 2014. Mount Royal University, Calgary.
• Imaging Cinema, Indian Institute of Technology-Madras, 4-day workshop, 2010.
• Summer Literary Seminar–KENYA, international writers’ seminar in Kenya. 2009.
• Electroacoustic Juke Joint 2009, Delta State University, 3-Day International Conference & Festival.
• Centre for Studies in Print and Media Cultures colloquium on "Media in Time and Space" in May 2008 at Simon Fraser University.